Slacktober featuring The Slackers

Scout Bar presents

Slacktober featuring The Slackers

Pinata Protest, The Skatastrophics, Fuska

Thu, October 4, 2018

Doors: 7:00 pm / Show: 7:30 pm

Scout Bar

Houston, TX

$15.00 - $18.00

This event is 18 and over

The Slackers
The Slackers
The Slackers are a classic American band that is equal parts grit and grace. Their slow rise against the odds is a story of perseverance and a belief in their musical vision, what Vic likes to call, "Jamaican Rock N Roll." While they have been influenced, and even personally taught by Jamaican Ska/Reggae originators, like the Skatalites and the Upsetters (Original backing band for the Wailers), th...e band sees its music as an extension of the traditions of the United States. This band is equally appreciative of old Blues, Country, 60s Soul, Rock, and Rn'B as it is of Reggae, Rocksteady, Dub, and Ska. It is as if the Rolling Stones or the Yardbirds had grown up on Bob Marley as well as Muddy Waters.

Smashing the stereotypes of "Ska" as happy, uptempo, and shallow music, the Slackers play with an aggressive edge and their songs veer in themes from the personal to the political. They can out jam any hippie band and outwrite most singer songwriters. From their 1996 release, Better Late Than Never through to 2010 with The Great Rocksteady Swindle, they have established themselves as America's premiere interpreters and innovators of Jamaican music and a pretty good rock band to boot.
The Great Rocksteady Swindle (release date 4/20/10) is a songwriting tour de force with all band members contributing to its gutsy muscular sound. "Mr. Tragedy" references the Specials while "Boll Weevil" references Sam Sham & the Pharaohs. "Cheated" seethes with bitterness while "Thank You" offers the possibility of hope. As the band has matured you can't even tell anymore where the rock begins and the reggae ends, its become The Slackers.

The band basically divides its recorded output into 2 categories. First of are their "albums", which are as Dave says with just a hint of his typical sarcasm, "these are our 'works' where we try to take over the universe." This steady stream includes Better Late Than Never (1996), Red Light (1997), The Question (1998), Wasted Days (2001), Close My Eyes (2003), Peculiar (2006), and Self Medication (2008). Back in 1996, the NY Times declared the Slackers to be part of "the sound of New York", a mantle they haven't given up since. Alternative Nation stated that their music is "protest music made for dim, sweaty basements, The Slackers would sound at home supporting Rancid as well as some grizzled New Orleans electric blues trio." The LA Weekly wrote about, "their unfettered energy, unerring skankability, and playful anger."

Not content with letting the record industry dictate their output schedule, the band has also put out numerous eclectic and whimsical albums following their different interests of the moment. Slackers & Friends (2002) saw the band performing with some of their idols like The Congos, Glen Adams of the Upsetters, Cornell Campbell, and Doreen Schaeffer. International War Criminal EP (2004) was a bitter broadside against the Bush Administration. Afternoon in Dub (2005) is pure reggae bliss. Boss Harmony Sessions (2007) was a collaboration with DJ Boss Harmony who arranged and refiltered tracks in unorthodox ways. Lost & Found (2009) is a compilation of forgotten tracks, alternate versions, and remakes from the bands recording vaults.
The band has also put out 3 live albums; Live At Ernestos (2000), Upsetting Ernestos (2005), Slack In Japan (2005), and 2 DVDs; The Slackers: A Documentary (2007) and Live at the Flamingo Cantina (2009).
More recently, the band has started releasing their live concerts through www.whatevski.org and has plans for releasing more compilations digitally.

This focus on the live show is not surprising because the Slackers have a good part of their existence on the road. Since 1997, the band has been doing around 110 shows a year. This includes some 20 major North American tours, 14 European tours, 3 Japanese tours and 2 Brazilian tours. They have played in 42 different US states, 6 Canadian provinces, 22 European countries, 5 Latin American nations, Turkey, Japan, and South Korea. They have appeared on the stages of the Warped Tour (1998), the Lowlands Festival (1999), Pukkelpop (1999, 2004), CMJ (2000), Montreal Jazz Festival (2000), the Bourges Festival (2001), the Dour Festival (2002, 2007), Deconstruction Tour (2004), Augustboller (2005), Streetbeat Festival (2005), Popkomm (1999,2006), Summerjam (2007), Mighty Sounds (2007), Ilosaarirock (2007) and Glastonbury (2008).

They have opened for Rancid (1999,2003, 2006), Hepcat (1999), Joe Strummer (2002, 2003), Flogging Molly (2002), Jimmy Cliff (2002), the Beat (2002), Pennywise (2004), Toots & the Maytals (2005), The Pogues (2006), and John Spencer's Heavy Traffic (2007). They have sold out numerous headlining gigs including such venues as Bowery Ballroom (nyc), Slims (San Francisco, 3 times), Lee's Palace (Toronto, 2 times), The Garage (London), CBGBs (NYC, 2 nights in a row in 2006), Troubadour (LA, 3 times in 2006), the Knitting Factory (NYC, 5 times), the Melkweg (A-dam), SESC Pompeia (Sao Paolo, 2 nights in 2006), and the Loft (Tokyo).
Hopefully, if you have read this far, you are starting to get the point that the Slackers are a phenomenon. A worldwide phenomenon. An underground band with a cult following, they can fill venues everywhere!
The band has come a long way from their little dirty rehearsal studio on e.3rd street on the lower east side.
Pinata Protest
Pinata Protest
Genre: Rock
Similar to: Los Difuntos, Complaints, Throw Rag

What do you get when you meld "fast/loud rules" with the Tex-Mex accordion? Piñata Protest and their invigorating and pointed "punk rock-y-roll." The band "forcefully take the raw essence of conjunto into warp-speed tempos and punky aggression," raves the San Antonio Current, which rates them as "one of the most original forces on the local music scene." And now with their national debut album on Saustex Records, Plethora, Piñata Protest take their infectious and bracing South Texas slamdance to the rest of America and the planet at large. The band bristles with a sound that has been dubbed "amphetamine norteño," "ranchero punk" and "puro pedo [no bullshit] punk rock" while also targeting the adversities and emptiness of modern life with dead-eyed aim. As the San Antonio Current observes, "Piñata Protest's Álvaro Del Norte is doing for the accordion what the Dropkick Murphys do for the bagpipes, playing what's often considered an embarrassing grandpa-music relic with youthful angst and energy, expanding the punk-rock template beyond London and NYC."
The Skatastrophics
The Skatastrophics
Fuska
Fuska
Ska/punk, skacore, whatever we are, its the "NEXT BIG THING". Even been called FUSKACORE. Fuska always gives strong, enthusiastic, performances when they play shows. People love it! Some people get hurt, but everyone has a good time. Just look at the crowd's reaction to Fuska, and you know right away this band is doing something right. Already released a second album (Space City Moonstomp), working hard on a third self tilted album, ventured to the west coast, and opened up for The Misfits, that is a little weird. A ska band at a Misfits show. Formed in 2010 its pretty impressive for a local band out of Texas. The music is all over the place. Meaning everyone in the band having different taste and backgrounds of music that they like, and it comes together to form our sound. All do, when you think of ska you think of horns, well not with this band its a work in progress. For now look for FUSKA BLAST the new album coming out soon and have a beer, smoke, with us.
Venue Information:
Scout Bar
18307 Egret Bay Blvd
Houston, TX, 77058
http://scoutbar.com/2012/